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Ninja: Shadow of a Tear 2013












Ninja: Shadow of a Tear


Genre:Action ,Crime,Thriller
Release: 27 December 2013 (Vietnam)
Director: Isaac Florentine
Stars:Scott Adkins|Kane Kosugi|Mika Hijii

Writer:David N. White,Michael Hurst

Songmaker:,,
IMDB | Views: 1266



rating :6.2





Ninja: Shadow of a Tear Complete info


Genre :Action|Crime|Thriller
Title :Ninja: Shadow of a Tear
Year :2013
Rating :6.2
Duration :95 min
Release :27 December 2013 (Vietnam)
Star:Scott Adkins,Kane Kosugi,Mika Hijii,Markus Waldow,Shun Sugata,Vithaya Pansringarm,Mukesh Bhatt,Tim Man,Jawed El Berni,Saichia Wongwirot
Director :Isaac Florentine
Writer:David N. White | Michael Hurst
Country:Thailand
Language:English
Moviescore:31 user
Movie Location:Filming Locations: Bangkok, Thailand See more ¯
Picture Rating:MPAA
Movie Budget:Budget: $2,600,000 (estimated)
Movie Gross:Show detailed company contact information on IMDbPro ¯
Movie Company:Millennium Films | Millennium Films |
Movie Sound : ,,
Ninja: Shadow of a Tear Tagline : Genres: Action | Crime | Thriller

Ninja: Shadow of a Tear Description


Ninjitsu master Casey is back and out for revenge when his pregnant wife is murdered.

Ninja: Shadow of a Tear Plot


Plot Keywords: torture | tied to a chair | muscular | bare chested male bondage | drug lord | See All (11) ¯

Ninja: Shadow of a Tear Synopsis




Fight everyone and trust no one: it's the code of survival practiced by martial-arts master Casey Bowman after his life of domestic bliss is shattered by a savage act of violence. Vowing revenge, the fearless American stealthily tracks the killer from Osaka to Bangkok to Rangoon with the help of a wise and crafty sensei. His only clues: a series of victims whose necks bear the distinctive mark of strangulation by barbed wire. Fighting to avenge as well as to survive, Casey must sharpen his razor-like responses and take his battle skills to the next level, even using deep meditation to fake his own death. His target: the sinister drug lord Goro, who is flooding the streets with deadly meth cooked at his remote jungle factory. To prepare for his ultimate confrontation, Casey must finally become an invisible warrior worthy of the name Ninja. But just when his prey is cornered, an unexpected twist shows Casey that his battle is only beginning: he truly can trust no one. Written by Nu Image


Ninja: Shadow of a Tear Critics
The last time martial arts king Scott Adkins and action filmmaker extraordinaire Isaac Florentine worked together, their output was fantastic. UNDISPUTED III was one of the best fight flicks ever made and remains the high standard for other karate movies to strive for. In the three years since, Adkins has continued to make a name for himself both inside and out of movie theaters, while Florentine hit a bit of a low point with his Christian Slater vehicle, but fans have unanimously wondered what sort of film the two of them would deliver if paired together again. Would it top the previous UNDISPUTED? Well, now that ol' Scott and Isaac have finally produced their fifth collaboration, I can answer that question...somewhat sadly, in the negative. No, in my opinion, NINJA II is not the equal of "U3." It is, however, a vast improvement over its flawed prequel and is without a doubt the best pure martial arts movie of 2013. The story: upon the murder of his beloved Namiko (Mika Hiji), the returning Casey (Adkins) attempts to track down her killer - a quest which leads him into the dangerous urban sprawl and deadly jungles of Myanmar. I think this is the kind of movie Florentine was trying to make the first time around, when he made NINJA. Improvements on the production values and the general presentation of the ninja (no more ridiculously impossible physical feats) are superficial pluses to a generally more down-to-earth movie: the villains and rivalries feel more personal this time, and the shifting environmental settings make for a more interesting aesthetic presentation. With that said, the major flaws plaguing the movie are still production-related and creative ones. The automatic subtitles are slightly off, unnecessarily announcing "Myanmar (formerly Burma)" twice and in at least one situation unnecessarily announcing what a character is saying even though it's in English. Additionally, for a movie with the word "ninja" in its title, there is disappointingly little ninja-ing: Scott's the only real representative of the shadow warriors this time around, and doesn't suit up until the final 25 minutes. Subjectively, I also question the cultural sensitivity behind casting Indian actor Mukesh Bhatt: I love his performance, but laughing at him playing a goofy, subservient taxi driver in an American movie is kind of uncomfortable. The fight content so ample that it's a genuine surprise whenever Adkins' character *doesn't* resolve a situation by fighting. It's also, for the most part, top-notch. While I don't think it's the blow-for-blow equal of "U3," a friend of mine might comment that the filmmakers definitely took notes while watching The Raid: Redemption. There's so much going on here that I like. Virtually every fight features satisfyingly long shots, filled with lengthier technical exchanges than in a Shaw Bros. movie. While the one-against-many brawls are unanimously one-sided, none of the one-on-one encounters - comprising about half of the total fight scenes - are squash matches. There's a cool variety of fighters, too: Guinness record-setting kicker Ron Smoorenburg, karate-parkour star Jawel el Berni, RAGING PHOENIX-veteran Patrick Tang, and that second generation ninja himself, Kane Kosugi. Choreographer and on screen fighter Tim Man exercises his craft fully by accurately portraying kickboxing, defensive karate, kobudo- and kali-style weapons fighting, some grappling, and a smattering of Adkins' signature tricking. Viewers who particularly love Scott's backflips and flying moves may be disappointed that they're a bit toned down here, but personally, I can't get enough of the grounded hand-to-hand stuff, particularly the ten-star final match. Florentine's record for this kind of action remains unblemished. Dramatically, the movie is on the upper end of average for the DTV sphere. Adkins remains more than serviceable throughout, though his reaction to finding Mika Hiji's character dead was a bit weak. Kane Kosugi is solid


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